Showing posts with label Maria Ines Rodriguez. Show all posts
Showing posts with label Maria Ines Rodriguez. Show all posts

Saturday, November 27, 2010

'CGEM: NOTES ON EMANCIPATION' CURATED BY MARIA INES RODRIGUEZ AT MUSAC


exhibition view



Carla Fernández, Papeles de Trabajo, Colección Primavera Verano, 2011 (Pop-Up Store)


Carolina Caycedo, Banners, 2007-2010



Adriana Lara, 5, From the Series Números (Ambiguación), Video, 2010



Carolina Caycedo, Caminemos Junt@s, 2010, Collective ownership tent


Judi Werthein, Salsipuedes / Exitifyoucan, 2010, Vinyl signs



CGEM: Notes on Emancipation
Curated by María Inés Rodríguez
with Carolina Caycedo (London, UK,1978), Carla Fernández (Saltillo, Coah, Mexico, 1973), Adriana Lara (Mexico City, Mexico, 1978) and Judi Werthein (Buenos Aires, Argentina, 1973).
October 23rd 2010 – January 9th 2011

'CGEM: Notes on Emancipation' presents a selection of pieces collaboratively produced by artists with different associations and local groups. Emancipation, in the broadest sense of the term, refers to any action that allows a person or a group of people to attain a state of autonomy by succeeding in freeing themselves from some authority or power to which they are subjected. Echoing the commemoration of the historical bicentenaries of independence of Latin American countries, the exhibition presents a series of artists who have produced a body of work focusing on the issues around emancipation. Over the past two hundred years great changes have shaken the Latin American continent. The transformations on political, social, economic and cultural levels, and their repercussions in the public sphere, have been topics of analysis on the part of experts, yet they also make for recurring topics in contemporary art. In this sense, artists act as witnesses of their time, as passeurs, critics, or analysts, expressing themselves through their work and questioning the cultural construction of history. The exhibition 'CGEM: Notes on Emancipation', is conceived as a global project generated by the guest artists, and includes a series of activities that will activate the space and allow public participation.

About the artists
Carolina Caycedo (London, UK,1978)
Caycedo lives and works in San Juan, Puerto Rico and her work addresses the effects of worldwide capitalism, with a practice rooted in the processes of communication, movement and exchange. Her varied projects, which range from street actions and mobile markets to public demonstrations, germinate into dialogues with communities outside the art world, and her works always refer to informal culture and economy. For Caycedo, the place of artistic experience extends beyond the studio or exhibition space, filtering into the broader context in which the artist lives and moves. The result is work that consists in creating opportunities for cooperation and dialogue among a wide range of individuals and communities, rather than objects of passive aesthetic contemplation. Caycedo constantly analyzes the borders between producers and consumers, professionals and amateurs, benefits and disadvantages, and art and society.

Adriana Lara (Mexico, 1978)
Lara lives and works in Mexico City and creates individual and group projects that are less based on the production of objects than on a conceptual approach to artistic production and the exhibition space. Lara focuses on artistic models, presenting problems or situations for the spectator’s reflection. Adriana Lara is co-founder of Perros Negros, an art production office that proposes new platforms for discourse and production, for the purpose of expanding creative projects and giving them visibility. Among other projects of Perros Negros, she is publisher of Pazmaker, a fanzine featuring articles by different authors. She has had solo shows at Gaga Arte Contemporaneo, Mexico City (2008); Galería Comercial, San Juan, Puerto Rico (2007); and Air de Paris, Paris, France (2007). Her work has been included in group shows such as San Juan Trienal Poligráfica, Instituto de Cultura Puertorriqueña, San Juan, Puerto Rico (2009); Galerie Isabella Bortolozzi, Berlin, Germany (2009); The Generational: Younger than Jesus, New Museum, New York (2009); and La Mamain et la Putain, Air de Paris, Paris, France (2006).

Judi Werthein(Buenos Aires, Argentina, 1973)
Werthein lives and works in New York. Through interdisciplinary work, she focuses her artistic investigation on the process of formation/construction of the individual and collective subject, with a particular interest in the interpretation of identities as flexible and untranslatable rather than static or fixed. Her work enables her to transmit the experience of outsiders through the language of mainstream culture, presenting the stereotypes of the Western capitalist conception from a different perspective. She has had solo shows at Art in General, New York, NY (2007); the Chianti Foundation, Marfa, Texas (2003); and the Bronx Museum, Bronx, NY (2002). Her work has been included in group shows such as Manifesta 7, Bolzano, Italy (2008); Beginning with a Bang: From Confrontation to Intimacy, Americas Society, New York, NY (2007); The irresistible Force, Tate Modern, London (2007); and In-Site San Diego, CA/Tijuana, Mexico (2005).

Carla Fernández (Saltillo, Coah, Mexico, 1973)
Fernández lives and works in Mexico City. She is a fashion designer, founder of “Taller Flora”, and winner of the International Young Fashion Entrepreneur 2008 award granted by the British Council during London Fashion Week. She is design consultant for the directorate of popular and native cultures of Conaculta in different communities of Mexico. Flora workshop operates as a travelling laboratory that is partly carried out in native communities and partly in Mexico City. The project seeks to create a sustainable option allowing the incorporation of craft processes in an effort to involve them in a contemporary scene without falling into folklorism. This pedagogy also contributes to establish links with different cooperatives and strengthen networks that function with principles of fair trade and materials that have positive ecological impacts.

http://www.musac.es

Friday, July 30, 2010

'MODERNIDAD TROPICAL', ALEXANDER APOSTOL'S NEW RETROSPECTIVE PUBLICATION!












Alexander Apostol
Modernidad Tropical
From the nineteen-twenties on, Latin America became a suitable terrain in which to apply the ideal embodied by the Modern Movement. This period is approached in the works of the Venezuelan artist Alexander Apóstol by exploring the remnants of that ideal of modernity from a critical standpoint. Through the texts by the architect Juan Herreros and the art critics and curators Julieta González and Cuauhtémoc Medina, various aspects of his oeuvre are analyzed alongside the context in which it arose. Whether from the perspective of architecture, art history or a political analysis of contemporary Venezuela, each author contributes to a comprehensive study of Alexander Apóstol’s production.

This volume is also the first title in the Art and Architecture AA MUSAC series, intended to provide a horizontal approach to the work of artists and architects whose output suggests a critical perspective on our contemporary world.

Published by ACTAR.
Editor: María Inés Rodríguez.
Series: Arte y Arquitectura AA MUSAC.
Texts: A la modernidad llegamos y de ella escapamos, María Inés Rodríguez; Sobre la fragilidad de algunas ambiciones, Juan Herreros; The Latin Americans…lost in translation, Julieta González; Venezquizoide, Cuauhtémoc Medina.
160 pages. Price: 27 €.

Look inside: http://issuu.com/actar/docs/modernidadtropical

http://www.alexanderapostol.com/

Tuesday, June 29, 2010

'MODELOS PARA ARMAR' THINKING LATIN AMERICA FROM THE MUSAC COLLECTION


Prologue: the structure of survival: a favela house, a volkswagen, a pool of blood...




Meyer Vaisman, 'Verde por fuera, Rojo por dentro', 1995, reconstruction of his parents dressing room inside a favela house


Damian Ortega, This is Not a Citroen DS



Jorge Macchi, 'Un Charco de Sangre', a pool of blood, cut outs from tragedy newspapers...



Maria Teresa Hincapie, 'Una Cosa es una Cosa', 1990/2005, video documentation of a performance in which she creates a labyrinth with her possesions


Julieta Aranda, 'There has been a Miscalculation (Flattened Amunition), 2007, 100 pulverized science fiction novels written between 1870 and 2007, a compressor blows up the dust at random intervals...


Pedro Reyes, screen


Teresa Margolles, narco jewelry



Ana Mendieta



Luis Camnitzer's viewer and kaleidoscopic view from the viewer, installed at different locations in the exhibition


Alexander Apostol, Caraca's favelas houses with windows erased...


Andreas Angelidakis, architect of the exhibition's architecture/display







Fernando Bryce drawings based on documents on European colonization


Erik Beltran's diagram



video cabins and the temple/pyramid for Leonilson's drawings



Leonilson, 'His Interior Protector Mountain', drawing on top of the pyramid...


Martin Sastre's video



Mario Garcia Torres, 'Moonwalk' on Rigo Tovar being the first moonwalk dancer...


Melanie Smith and Rafael Ortega's film, filmed at Salon Covadonga in Mexico City




Carla Zaccagnini's rubber stamps on found stories on Leon's newspaper, stamped on all printed material coming from the museum



Valeska Soares



Rivane Neuenschwander's calendar, 31 tables with collected found papers with the date number on it



Gilda Mantilla and Raimond Chaves' drawing room






Raimond Chaves and Gilda Mantilla's drawings


Caio Reisewitz landscape photographs next to Luis Camnitzer's viewer



avaf mural with video homage to Los Super Elegantes


tropical garden behind the exhibition's escenography



Carlos Amorales



Diango Hernandez


Carlos Garaicoa's construction of a city's nightscape


Matias Duville, wall drawing


Federico Herrero's painting


Federico Herrero's mural in MUSAC's patio





Carla Zaccagnini and Federico Herrero, live sculptures


Gran Colombian Combo: artist Raimond Chaves, Andrea Echeverri, Musac curator Maria Ines Rodriguez, Hector Buitrago!


Hector Buitrago and Andrea Echeverri, 'Los Aterciopelados' in concert


Andrea Echeverri with cheverista flag


Los Aterciopelados concert outside MUSAC


and next day Cheverista Internacionale brunch at Maria Ines...


MODELOS PARA ARMAR:
Thinking Latin America from the MUSAC Collection

Artists: Carlos Amorales , Alexander Apóstol, Julieta Aranda, AVAF, Fernando Bryce, Erick Beltrán, Iñaki Bonillas, Tania Bruguera, François Bucher, Luís Camnitzer, Raimond Chaves, José Damasceno, Dr. Lakra, Matías Duville, Sandra Gamarra, Carlos Garaicoa, Mario García Torres, Diango Hernández, Juan Fernando Herrán, Federico Herrero, María Teresa Hincapié, Leonilson, Jorge Macchi, Gilda Mantilla, Gilda Mantilla y Raimond Chaves, Teresa Margolles, Hernán Marina, Ana Mendieta, Mujeres Creando, Óscar Muñoz, Rivane Neuenschwander, Damián Ortega, Álvaro Oyarzun, Nicolás París, Jorge Pineda, Caio Reisewitz, Rosângela Renno, Pedro Reyes, Miguel Ángel Rojas, Martín Sastre, Melanie Smith y Rafael Ortega, Valeska Soares, Javier Téllez, Meyer Vaisman , Carla Zaccagnini.
Curators: Agustín Pérez Rubio, María Inés Rodríguez, Octavio Zaya
Exhibition design: Andreas Angelidakis
Venue: Galleries 1, 2, 3, 4, 5 & 6, MUSAC
Dates: 26 June 2010 – 9 January 2011

From 26 June 2010 to 9 January 2011, within its 5th Anniversary programme, the Museo de Arte Contemporáneo de Castilla y León will be devoting its entire exhibition space to a major exhibition displaying most of the pieces by over 40 Latin American artists held in the MUSAC Collection. Under the title MODEL KITS. Thinking Latin America from the MUSAC Collection, the show curated by Agustín Pérez Rubio (MUSAC Director), María Inés Rodríguez (MUSAC Head Curator) and Octavio Zaya (MUSAC curator at large), invites viewers to trace their own course through contemporary Latin American art, over a layout designed by architect Andreas Angelidakis. In parallel, all activities scheduled at MUSAC between June 2010 and January 2011 will focus on Latin America, including new projects at Laboratorio 987 and the Showcases, artist workshops, publications, seminars, performances, concerts, etc.

MODEL KITS. Thinking Latin America from the MUSAC Collection draws its inspiration from 62/ A Model Kit, a novel published by Julio Cortázar in 1968, which stands as one of the most enduringly original and ambitions projects in Spanish-language literature. Translating it into a different period and discipline, the exhibition modestly attempts to apply the unique novel's vision in the way it rejects and subverts any single interpretation or conventional linear narrative of the works on display, challenging the viewer to establish her own parameters and directions, connections and relationships. MODEL KITS includes around 100 works by over 40 Latin American artists, produced since the late 1980s (under the MUSAC Collection's purchasing criteria), covering a broad range of media and languages, artistic strategies and significations, references, objects and situations, which jointly contribute to assembling varying narratives and permutations. From leading deceased artists who hold pride of place in Latin American Art History like Ana Mendieta, Leonilson or Maria Teresa Hincapié; to great masters such as Luis Camnitzer, Oscar Muñoz or Miguel Angel Rojas; the landmark 90s generation of Valeska Soares, Rosângela Renó, Jorge Macchi or Carlos Garaicoa; all the way to young artists who are making their mark on the current landscape, such as Mario García Torres, Julieta Aranda or Matías Duville, amongst others.

MODEL KITS challenges the viewer to take the part of an active and liberated reader who writes her own score, creating a new narrative. Under this perspective, the exhibition's varied elements can be combined and analyzed according to the concerns and references each viewer brings to bear. The exhibition does not therefore adhere to a central theme or nucleus around which to develop a privileged narrative. While it may be said that the works' diverse perspectives and languages reflect a critical perspective on society and its relationships with other contexts, the exhibition brings together discourses and approaches that are personal and philosophical, urban and political, literary and artistic, etc., to the point that they cover each and every one of the undercurrents defining contemporary art as it is made anywhere in the world, whether it be Paris, Tokyo, Ohio or Bogota. In this sense, the exhibition is projected as an infinite 'ars combinatoria', not limited to the featured artists' Latin American geographical and cultural sphere, but aspiring to establish varying and contrasting readings and conclusions, wavering patterns and ambiguous hints, unresolved questions and diverging paths, like a labyrinth with no exit.

Reality and fiction, surprise and mystery, humour and pain go hand in hand, setting a pace marked by a set of events in no specific order, defined alternatively by logic or by intuition; by action or by contemplation; by the material or the spiritual. In its diversity, the exhibition invites us to think of Latin America as a project in progress, laden with endless possibilities; a project with no constraints in space or time, multifaceted and open to different worlds; a project that expresses its artistic interest in what is shared and collective through 'singularity' as opposed to identity. A model kit waiting to be assembled.

http://www.musac.es